![]() |
|
||
| Kellscraft
Studio Home Page |
Wallpaper
Images for your Computer |
Nekrassoff Informational Pages |
Web
Text-ures© Free Books on-line |
|
THE YOUNG FOLKS’ LIBRARY SELECTIONS FROM THE CHOICEST LITERATURE OF ALL LANDS THOMAS BAILEY ALDRICH EDITOR-IN-CHIEF EDITORIAL BOARD. HAMILTON WRIGHT MABIE DAVID S. JORDAN CHARLES ELIOT NORTON GEORGE A. HENTY HENRY VAN DYKE WILLIAM P. TRENT JOHN D. LONG JOEL CHANDLER HARRIS ERNEST SETON-THOMPSON LAURA E. RICHARDS MARY HARTWELL CATHERWOOD EDWARD SINGLETON HOLDEN CYRUS TOWNSEND BRADY (CHARLES) KIRK MUNROE JOHN T. TROWBRIDGE FREDERICK W. FARRAR ROSWELL M. FIELD EDWIN ERLE SPARKS EDITH M. THOMAS GEORGE M. GRANT MAUD WILDER GOODWIN NATHAN HASKELL DOLE THOMAS J. SHAHAN JAMES L. HUGHES BARONESS VON BULOW MADAME TH: BENTZON LIEUT.-COL. RICHERT VON KOCH CHARLES WELSH, Managing Editor A LIBRARY OF CHOICE SELECTIONS FROM THE BEST BOOKS FOR YOUNG PEOPLE, INCLUDING FAIRY TALES, LEGENDS, BALLADS AND FOLKLORE, WONDERS OF EARTH, SEA AND SKY, ANIMAL STORIES, ADVENTURES, BRAVE DEEDS, FICTION, FUN, FABLES, SEA TALES, SCHOOL BOY AND SCHOOL GIRL STORIES, NATURAL HISTORY, EXPLORATION, POETRY, BIOGRAPHY, STORY, ETC., ETC. TWENTY VOLUMES RICHLY ILLUSTRATED HALL & LOCKE COMPANY, BOSTON COPYRIGHT, 1901, BY HALL & LOCKE COMPANY. BOSTON, U. S. A. Stanhope Press F. H. GILSON COMPANY BOSTON, U. S. A.
The Young Folks’ Library in 20 Volumes THE CHILD’S OWN BOOK AND TREASURY OF INTERESTING STORIES WITH AN INTRODUCTION BY CHARLES ELIOT NORTON ILLUSTRATED VOLUME I. BOSTON HALL & LOCKE COMPANY PUBLISHERS COPYRIGHT, 1901, BY HALL & LOCKE COMPANY. BOSTON, U. S. A. Stanhope Press F. H. GILSON COMPANY
ON THE INFLUENCE OF
BOOKS THE issue of the
initial volume of The Young Folks’ Library offers the writer the opportunity to
make a brief statement of its purpose and scope, and to say a word touching the
influence of books. The word is not new, but it is apposite here, and is one
that cannot too often be repeated. Books read in youth
leave an indelible impression. The mature reader may forget the plot and
characters of last month’s novel, and by chance the name of its author; but he
remembers the very page and type of the old copy of “Robinson Crusoe” and the
tattered cover of “The Arabian Nights” which he read as a boy. The period of
childhood is the most sensitive and receptive period of life. In those years
foreign languages are acquired with a facility afterwards lacking, and the
books read exert directly or indirectly a great influence in molding thought
and character. They are often incidental factors in determining some step
affecting all our future. The writer was lately told by one of our
distinguished naval commanders that his career was pointed out to him by a
chance reading of a biography of Paul Jones. Doubtless many a lad has been sent
off to sea by the perusal of Captain Marryat’s “Midshipman Easy” or Fenimore Cooper’s
“Two Admirals.” It was the sonnets of William Bowles that awakened the poetic
instinct in Coleridge, as in subsequent years it was Spenser’s “Faerie Queen”
and Chapman’s translation of Homer that cast a spell upon the imagination of
young Keats. His love of Grecian mythology, out of which grew his noblest poem,
dated from the hour he opened Chapman’s English version of the Iliad. In her
“Memoirs “Madame Roland speaks of the singular fascination which “Plutarch’s
Lives” exercised upon her when she was little
Jeanne Philpon. “I shall never forget,” she says “the Lent of 1763, at which
time I was nine years of age when I carried it [“Plutarch”] to church instead
of my prayer-book. To that period I may trace the impressions and ideas that
rendered me a republican, though I did not then dream that I should ever become
a citizen of a Republic.” I fancy that oldtime books have frequently an
unsuspected complicity in coloring even our maturer thoughts and actions. What
impulses may not occasionally be prompted in us by the perhaps half-unconscious
reminiscence of some record of daring, or generosity, or self-sacrifice that
moved our hearts in the days of youth! These illustrations
of the beneficent influence of books touch only one side of the subject. If
there is wholesome and stimulating nourishment for young minds, there is also,
unhappily, a vast quantity of tempting and poisonous food within easy reach.
Into this category come the lurid juvenile dramas in which a glamour of romance
is thrown over the adventures of personages who in real life generally find
their apotheosis in the prisoner’s dock. Books in this kind are widely
circulated and work incalculable harm. Their power of demoralization is by no
means indirect or disputable. There is another
class of child-literature only a few degrees less hurtful — the well-meant
mawkish story (of which “Sandford and Merton” is the perennial type) in whose
pages a boy is not inspired to be a pirate, but is carefully instructed how to
become a prig. Personally, I prefer the pirate. In the present imperfect
condition of society, piracy is beset with difficulties, and the pirate’s
chances of success, even in the more thickly populated parts of the United
States, are comparatively limited. That is not the case with the prig.
Circumstances favor his development. “Sandford and Merton” belongs to an
extensive school of really conscientious fiction which curiously succeeds in
making goodness seem insufferable. I may observe, in passing, that Master Harry
Sandford, of England, has a worthy American cousin in one Elsie Dinsmore, who
sedately pirouettes through a seemingly endless succession of girls’ books. I
came across fifteen of them the other day. This impossible female is carried
from infancy up to grandmother-hood, and is, I believe, still leisurely
pursuing her way down to the tomb in an ecstatic state of uninterrupted
didacticism. There are twenty-five volumes of her and the grand-daughter, who
is also named Elsie, and is her grand-mother’s own child, with the same precocious
readiness to give ethical instruction to her elders. An interesting instance of
hereditary talent! I think we are
often only half-mindful of the potency for good or evil that lies in the book
we place before the young reader. It is not always easy or practicable to find
proper books; but it is always an important thing. The problem comes for
solution to every person who has in charge the training and welfare of youth.
“What shall our children read?” The question is not adequately met by the local
library. That is a republic of good, bad, and indifferent literature, the
greater part of which should not be read by anybody. The duty of selection
remains. In the multiplicity of publications, how is one to pick out with
certainty such matter as shall be at once entertaining and instructive — or, at
least, harmlessly entertaining? In order to do it one must have exceptional
familiarity with many branches of letters. The familiarity involves conditions
of leisure and study not compatible with the usual affairs of life. In The Young Folks’
Library very careful hands have garnered a large store of desirable and
valuable reading, designed to answer in a practical way a demand not otherwhere
complied with in the same measure or in so compact and convenient a form. The
work presents several features which distinguish it from mere compendia of literature. Each volume deals
with a distinct department of letters, and has an especial character of its
own. There is a book for almost every mood and hour — narratives of adventure
and exploration by land and sea; fairy tales; bird and animal studies;
folk-lore and legend; episodes of boy and girl life at home and at school;
poetry, biography, history, science, etc., etc. Readers of all ages may find
their profit and amusement here. An introductory essay and brief notices of the
various authors represented, with mention of their more notable works,
accompany each volume and serve to lead the reader into wider avenues of
literature. The riches of many lands have been laid under tribute to furnish
the contents of these twenty volumes, which may be described as the epitome of
a vast library embracing numerous books not accessible to the general public,
particularly to that portion of it remote from great literary centers. The series
is, in effect, a choice library brought to your hearth-side. It should be said
in this place that the task of compilation and editing has been discharged in
no perfunctory spirit by those concerned, but with a sympathetic and intimate
knowledge of the requirements in the case. |